• Onoe Fujaku III  (尾上芙雀) as Kobayakawa Takakage (小早川隆景)
  • The Eleventh Month (十一月), First Snowfall on the Day of the Rooster, the Tori-no-hi Festival (<i>Jūichigatsu, hatsuyuki, tori no hi</i> - 初雪酉の日): Aizome (相染) of the Ebiya (海老屋), from the series Annual Events in the New Yoshiwara (<i>Shin Yoshiwara nenjū gyōji</i> - 新吉原年中行事)
  • Tametomo is visited by the ghosts of the Emperor Sutoku and his retainers in the guise of tengu - from the series <i>Ten Admirable Deeds of Tametomo</i> (<i>Tametomo homare no jikketsu</i> - 為朝誉十傑)
  • Seated monkey studying a wasp by its stinger in his hand [猿と蜂 - <i>Saru to hachi</i>]
  • Okabe Rokuyata Tadazumi (岡部六弥太忠澄) in combat with Satsuma no Kami Tadanori (薩摩守忠度) near Ichinotani - <i>A Grappling Picture: Satsuma no Kami Tadanori and Okabe Rokuyata Tadazumi </i>[<i>Kumiuchi no zu satsuma kami tadanori okabe rokuyata tadazumi</i>]
  • View of Futakawa (<i>Futakawa no zu</i>: 二川之図) from the chuban series Fifty-three Stations of the Tōkaidō Road (<i>Tōkaidō gojūsan tsugi no uchi</i>: 東海道五十三次之内)
  • Heroes led by a member of the Taira clan  (平家英...)
  • Sumō bout between Tanikaze (<i>Nishi Tanikaze</i> 西 谷風) and Onogawa (<i>Azuma Onogawa</i> - 東 小野川)
  • Parody of Zhu Wu: the Divine Strategist "Shinkigunshi Shubu no mitate" (神機軍師朱武の見立) from "Tsūzoku Suikoden Gōketsu Hyaku-hachi-nin no Hitori" (通俗水滸伝豪傑百八人之一個) The hundred and eight heroes of the Suikoden "Ōgiya uchi Hanaōgi" The courtesan Hana-Ogi of the Ogiya house (扇屋内 花扇)
  • The Seacoast at Kubota in Awa Province (<i>Bōshū Kubota no kaigan</i> - 房洲保田ノ海岸) from the series <i>Thirty-six Views of Mount Fuji</i> (<i>Fuji sanjūrokkei</i> - 富士三十六景)

Welcome to The Lyon Collection!

Ukiyo-e Prints in the Mike Lyon Collection

Mike Lyon (artist b. 1951) was fortunate to have grown up familiar with Japanese prints. In his youth Lyon’s parents and grandparents displayed examples that certainly inspired his own artistic development. He began acquiring Japanese color woodcuts early in his career as an artist. The types of prints that feature most prominently among the many hundreds in Lyon's collection reflect the artist’s deep appreciation of the human figure and the expressive facial portrait. The vast majority of Japanese prints in the Lyon collection represent views of actors yakusha-e) and beautiful women (bijin-ga), and in particular the close-up, bust-length portraits of the same (okubi-e).

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